Galok
A person, in progress.
A field of attention — observing economic change and urban memory.

Ask the archive
One person,
paying attention.
Galok follows economic change and city memory through photography, moving image, writing and data. Kept in one public archive, still in progress: 7 cities, 14 essays and 3 research papers, 207 film prompts and things built.
Based on About, Cities, Writing, Cinematic Poetry, Work.
01 — AskScroll to read the record
02 — The record
What has actually been published.
Dates are each page’s own publication date. Where a page says only the year, the year is all that is shown.
9 pieces with a stated day, 11 with a stated year only. Nothing here is dated from a sitemap or a file timestamp.
2026
- “Fits Honor” Is Now a Lawsuit Waiting to Happen
- China’s Instagram Meets the World Cup
- China’s Tourism Assembly Line
- How a goose-leg story shook an official narrative
- How platforms quietly redesign consumer choice
- The ordinary life behind RMB 9.9 coffee
- The People’s Republic of AI
- The Water Is Rising, and Nobody Will Tell You Why
- Under the cyber audit: after the influencer boom
- What your latte tells you about China's price illusion
- When AI goes silent: real-time censorship infrastructure
May
- EssayThe Curator's Curse
How China's boutique economy turned taste, credentials and bad service into a public status test — and why consumers rejected it.
Source: page datePublished
August
- ResearchWho Captures Growth?
Capital allocation, labor-market power and household demand in China's K-shaped economy.
Source: page datePublished - ResearchThe Fast Metabolism Economy
Franchising, network expansion and gross store turnover in China's consumer economy.
Source: page datePublished - ResearchLove by the Hour
An exploratory digital-ethnographic study of emotional consumption, paid intimacy, fan identity and organizational infrastructure in China's gaming companion economy.
Source: page datePublished - EssayChina, in More Than One Number
GDP grew, prices barely moved and property investment fell. This essay asks what each measure sees — and what it misses.
Source: page datePublished
September
- EssayCapability Laundering
Anthropic says Chinese AI labs secretly routed, extracted and trained on Claude. The deeper question is what domestic capability means when provenance disappears inside the pipeline.
Source: page datePublished
October
- Reading夢, the Afterword
A city drawn, lit with 135 places from the book, and put out.
Source: page datePublished
November
- Cinematic PoetryCinematic Poetry
207 original prompts, 129 with recorded Color DNA, no published video.
Source: catalog release record - WorkIVDNI
IVDNI — Building a Local-First Design Workspace. An evidence-backed engineering case study: framework-free canvas architecture, one mutation authority, transaction-safe undo/redo, and AI behind a guarded execution boundary.
Source: release authorization record
Also ongoing · no single publication date
Seven cities, on film · ongoing chapters
BeijingPower, ceremony and everyday movement.8 photographs
ShanghaiRiver, streets and a vertical city.8 photographs
Xi’anEmpire, memory and life inside the wall.8 photographs
ShenzhenBay, crossing, street, ridge and light across five city frequencies.8 photographs
XiamenSea light, Minnan rooflines and a city moving with the tide.8 photographs
HangzhouWater, hills and a city held behind the lake.8 photographs
ChongqingTerrain, stacked streets, monorail and two rivers.8 photographs
03 — Selected
Four ways in.
- 01Cities7 chaptersPhotographed and written as they were walked.

- 02Writing14 essays · 3 papersPrices, platforms and labor, read from the street upward.

- 03Cinema207 promptsOriginal generation prompts, published word for word. No published video.
- 04Work2 projectsA local-first design workspace and a photograph-to-collage tool.

04 — Archive
Still in progress.
The first version of this site is still here: one archive, observed four ways.
05 — Contact
Projects, collaborations, or a direct conversation.
Corrections, sources and collaboration leads are welcome. Write directly; there is no form.






